Echoes of Melodic Mosaics: A Triptych Tone Poem
World Premier July 21st, 2024
Texas New Music Festival 2024
Texas New Music Ensemble
Echoes of Melodic Mosaics" is a musical journey inspired by the vibrant and dynamic world of modern art. Composed as a triptych for chamber orchestra, each movement explores different facets of artistic expression, weaving together rich textures and evocative themes to create a multifaceted sonic tapestry.
Start at 39:40
Movement I: Chroma Spectrum
The opening movement, "Chroma Spectrum," draws inspiration from the bold and expressive palette of Fauvist art. Like brushstrokes of vivid color on a canvas, the music bursts forth with vibrant energy and luminous hues. Through swirling melodies and intricate harmonies, the orchestra paints a vivid sonic landscape, capturing the essence of Fauvism's emphasis on pure, unbridled emotion and the power of color to evoke mood and atmosphere.
Movement II: Velocity Momentum:
The second movement takes on the pulsating rhythm and dynamic energy of Futurist ideology. Evoking the rush of modernity and the exhilaration of speed, the orchestra propels forward with relentless momentum, driven by pulsating rhythms and kaleidoscopic harmonies. Like a whirlwind of sound, the music captures the essence of Futurism's celebration of technology, movement, and the dynamism of the modern world.
Movement III: Emotional Abstraction
The final movement delves into the introspective world of Abstract Expressionism. Through haunting melodies and poignant harmonies, the music explores the depths of human emotion and the power of artistic expression to transcend the boundaries of the tangible world. With moments of introspection and intensity, the orchestra navigates the emotional terrain of Abstract Expressionism, inviting listeners on a journey of self-discovery and catharsis.
"Echoes of Melodic Mosaics" offers a compelling exploration of the intersections between music and art, weaving together diverse influences and inspirations to create a rich and immersive musical experience. From the vibrant colors of Fauvism to the dynamic energy of Futurism and the emotional depth of Abstract Expressionism, this triptych tone poem invites listeners to embark on a journey of discovery and imagination, where sound and color converge in a harmonious symphony of creativity.
Dreamscape Nocturnes
Dreamscape Nocturnes" is an exploration of the nocturnal landscape. Twilight Whispers, explore the sights and sounds of the twilight atmosphere. The somber tones and mysterious soundscape create a sense of calm anticipation. Eclipsed Hourglass mirrors the relentless ticking of time, symbolizes time approaching the witching hour where chaos prevails. Dawn's Lullaby, introduces a cascade of contrapuntal themes, mirroring the first rays of sunlight which gradually settle into a tranquil lullaby.
Feathered Echoes
“Feathered Echoes” for Woodwind and String Octet premiered in the 2024 New Music on the Bayou Festival. June 5th at 7:00pm and the Dixie Center for the Arts "Feathered Echoes" is a musical exploration inspired by the diverse avian life of Louisiana. I wanted to create a sonic canvas that beautifully integrates the unique timbres of each instrument, enhancing the evocative power of the bird-inspired composition.the interplay between woodwinds and strings mirrors the dynamic interactions found in nature.
Beautiful/Discordant
This is the premiere of my collaboration with artists from the University of Louisiana at Lafayette School of Music and Performing Arts Dance program. I am delighted to share that I had the privilege of composing the music for the world premiere of "Beautiful/Discordant," a production choreography by the talented Riley McCallum.This production was part of the distinguished 2023 State of LA Dance event, hosted at thh ULL Angelle Hall Doucet-Gilfrey Auditorium. The performance unfolded with grace and artistic finesse, showcasing the synergy between various artistic disciplines.
November 16th to 19th, 2023, starting at 7:00 pm
Connecting the Dots
This Chamber Octet was premiered at the 2023 New Music on the Bayou summer Festival. “Connecting the DOTs is a musical depiction of Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat's using his pointilistic technique and is a founding work of the Neo Impressionistic movement.
Lea Baumert-Patterson, flute - Luke Ellard, clarinet - Theresa Bridges, oboe Annalea Milligan, bassoon - Martha Muehleison, violin - Michael Capone, viola, Kourtney Newton, cello - Justin Kujawski, bass and Christ Heidenreich,
Under the Crescent Moon
Under the Crescent Moon, duet for saxophone and Guitar was Commissioned by DUO MONTAGNARD in 2023.This piece is a musical journey through the mystical swamps of New Orleans, Louisiana. In this duet, I explore the mysterious ambiance of a moonlit night of the swamp. As the moon ascends in the sky, its crescent silhouette becomes visible through the thick canopy of trees. The saxophone takes center stage, its melodic lines reflecting the moon's luminosity, while the guitar provides a gentle rhythmic pulse. The interplay between the two instruments creates an otherworldly aura, as we stand captivated by the moon's enchanting presence. As the crescent moon rises above the horizon, the piece depicts an ethereal reflection pool that mirrors the image of the crescent moon.
Zephyr - Spirit of the Wind
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Down the Road less Traveled
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Aquatic Portraits - Jeremi Edwards | Mostly Modern Festival 2022
MOVEMENTS:
0:00 - I. On the Wings of the Morning
2:47 - II. Coast Scene, Isles of Shoals
5:12 - III. Water Garden
7:26 - IV. Surf, Isles of Shoals
AMERICAN MODERN ENSEMBLE
Drew Banzhoff, conductor
MOSTLY MODERN FESTIVAL
Skidmore College, Arthur Zankel Music Hall
Saratoga Springs, New York (USA)
Reflection of Sakura 2020 World Premier
LSU CNME
Lea Baumert, flute
JangHyun Thomas Kim, clarinet
Hunter Collins, oboe
Erica Haas, bassoon
Danielle York, horn
Filip Starostka, trumpet
William Horner, trombone
Patricia Bretas, piano
Hayoung Cho, violin
Bingqing Xia, violin
Catherine Chen, viola
Eduard Teregulov, cello
Dream Sequence 2019
Dream Sequence (World Premiere)
Music by Jeremi Edwards
AMERICAN MODERN ENSEMBLE
Sato Moughalian, Flute
Tasha Warren-Yehuda, Clarinet
Anthony de Mare, Piano
Joseph Rebman, Harp
Esther Noh, Violin
Dave Eggar, Cello
Johnathan Kirby, Conductor
MOSTLY MODERN FESTIVAL 2019
Spirit of the Wind
Program Notes
Spirit of the Wind developed out of my interpretation of the wind, and how it interacts with the natural world. The wind has numerous characteristics; the wind can be a calm, summer breeze. The wind can be an ice, cold, jet stream. The wind can be a sweat, soft, gust of warm spring air. In this orchestral piece, my goal was to explore these numerous characteristics and develop those ideas into a musical depiction. The opening A section depicts the calm, and softer side of the Wind. Listen for the breath of the wind, as it blows through the trees as the branches click together. Soon the sweat gust of spring air enters and shifts the color of the ensemble and introduces a new thematic section. Next, the contrasting B section depicts the darker side of the Spirit of the Wind. Known for its power and destruction, the Spirit of the Wind, can wreak havoc on the world in forms of tornados, hurricanes, monsoons, dust storms and more before returning to the opening main A theme.
Essence of Water - Jeremi Edwards | Mostly Modern Festival 2022
Evan Fraser, flute
Elena Collins, clarinet
MOSTLY MODERN FESTIVAL
Skidmore College, Arthur Zankel Music Hall
Saratoga Springs, New York (USA)
6/15/2022
Pont sur le Mississippi - Bridge over the Mississippi 2022
Yuh - Jiun Melody Wan, flute
JangHyun Thomas Kim, clarinet
written forThe Vermillion Duet, Bridge over the Mississippi is my musical expression of the beauty and power that resides within the Horace Wilkinson Bridge.
Program Notes
written forThe Vermillion Duet, Bridge over the Mississippi is my musical expression of the beauty and power that resides within the Horace Wilkinson Bridge. Positioned at the onset of the Baton Rouge city, this bridge has become a beacon landmark for Louisiana residents and visitors alike. Of the large truss bridges over the lower Mississippi, the Interstate Highway I-10 Horace Wilkinson Bridge is the biggest. It rises 175 feet above the water, making it the highest of any Mississippi River bridge. Musically, I focused on the intricate geometrical shapes that appear from the woven metal. The Wilkinson Bridge is 14,150 feet long overall, which is more than 2-1/2 miles and the traffic deck carries six lanes of freeway traffic, seeing an average of 90,000 vehicles per day. Along within beauty of the structure, there is power the bridge holds. The bridge was officially named by the Louisiana state legislature in Act 206 in 1968. The act states, “These gentlemen served diligently, contributing greatly to the betterment of the state” when speaking of the three generations of Wilkinson’s who served a total of 54 years in that body. Listen for the busy traffic that traverses the bridge in against the smooth rippling currents of the Mississippi river below.
The Vermillion Duet, as part of a digital residency of Chamber Music America, will present a contemporary music concert of the 20th and 21st centuries. My composition, Essance of water, written for flute and clarinet, will be premiered as part of the concer This duet is a musical depiction of water. Water has numerous characteristics which I explore throughout this piece. Think of all the places water can be found. The flowing water of a river is continuous, The rushing water of river rapids, The Tranquil water of a pond, The Shimmering ripples of water on a Lake. I have chosen each of these images of water to help covey the transformations water can achieve. I have chosen to write this using the Flute and Clarinet is hopes to show the versatility and musical expressiveness of these two instruments. Like water the Flute and Clarinet can take on many characteristics which evolve their tone color, ranges and agility. Throughout this duet I explore many combinations of orchestration between the two instruments the goal for the performers is to express the music with a sense of eb and flow, a push and pull. Adding in extra rubato into the cadence points is highly encouraged. The tempo markings are not strict, however guidelines to keep the relationships of the different musical segments intact. There are moments when the Flute and clarinet are in contrast and other moments when they need to blend their sounds to fool the audience.
Essence of water 2021
Vermillion Duet 2021
Yuh - Jiun Melody Wan, flute
JangHyun Thomas Kim, clarinet
Beneath the Veil is a musical journey that explores the juxtaposition of art and machine. What does a wedding veil symbolize? This bridal accessory can mean different things to different people and cultures. Yes, the veil can represent purity, modesty, and virginity, but it can also symbolize feelings of feminine, sexy, or mysterious. There is something so irresistibly about the mysterious, sheer shimmering tulle surrounded by delicate lace of the veil just floating behind as a bride walks down the Aisle. On the other side, the machines and manpower used to produce this work of art is also on my mind. The sewing matchings, needle work, the laboring hours needed to produce lace is what I use as inspiration for the secondary theme of this piece. The image of the work needed to produce the art. I explored different textures of instruments which produce an opaque, or translucent affect to resemble the effect of looking through the different layers of material used in a wedding veil. For the machine listen for the intricate cells that latch on to each other to produce an isorhythmic pattern as the machine begins to work
Beneath the Veil
LSU CNME Ensamble 2021
Between the Dimensions summer 2021
June 2021, Four Corners Ensamble
JOSHUA ANDERSON, Clarinet
CHRISTINA ADAMS, Violin
HORACIO CONTRERAS, Cello
ANNA MARÍA OTAMENDI, Piano
I am excited to announce the second of two world premieres this week that were made possible by The Collaborative Piano Institute and the Four Corners Ensemble who were in residence at this summer program at the LSU school of music. The Collaborative Piano Institute is a unique summer program created by collaborative pianist to cultivate an intensive experience.
“Between the Dimensions” was written for the Four Corners Chamber Ensemble. This three-movement piece for small chamber ensemble explores the scientific world of physics. When someone mentions "different dimensions," we tend to think of things like parallel universes – alternate realities that exist parallel to our own, However, the reality of dimensions are they play a role in the ordering of our Universe. Dimensions are the different facets of what we perceive to be reality.
“Body in late meditation” small chamber edition 2021
I am excited to announce the first of two world premieres this week that were made possible by the The Collaborative Piano Institute and the the Four Corners Ensemble who were in residence at this summer program at the LSU school of music. The Collaborative Piano Institute is a unique summer program created by collaborative pianist to cultivate an intensive experience.
In 2019 I wrote “Body in late meditation” as a part of the LSU composers’ collaboration with the poet in residence Lynne Knight. Since then, I have written several works for voice including a 30-minuet song cycle. This chamber new chamber edition of “Body in late meditation” explores different orchestrational colors as I included both a violin and cello. This art song focuses on highlighting the text and incorporating different elements of text painting which focuses on the elements of water. I am very proud of these musicians and the work they have done to put this piece together they were able to take my music and bring it to life.
"When voices spoke like rushing water" Summer 2021
Emerging artist recital Summer 2021
Patty Holley, Soprano
Santiago Salazar Simmonds, Violin
David Yudis, Cello
Michele Wong, Piano
Essence of Water Duet for Flute and Clarinet
Vermillion Duet recital at San Diego Flute Guild
World Premier May 2021
Begin at 6:00 for Essence of Water
Yuh - Jiun Melody Wan, flute
JangHyun Thomas Kim, clarinet
Program notes
This duet is a musical depiction of water. Water has numerous characteristics which I explore throughout this piece. Think of all the places water can be found. The flowing water of a river is continuous, The rushing water of river rapids, The Tranquil water of a pond, The Shimmering ripples of water on a Lake. I have chosen each of these images of water to help covey the transformations water can achieve. I have chosen to write this using the Flute and Clarinet is hopes to show the versatility and musical expressiveness of these two instruments. Like water the Flute and Clarinet can take on many characteristics which evolve their tone color, ranges and agility. Throughout this duet I explore many combinations of orchestration between the two instruments the goal for the performers is to express the music with a sense of eb and flow, a push and pull. Adding in extra rubato into the cadence points is highly encouraged. The tempo markings are not strict, however guidelines to keep the relationships of the different musical segments intact. There are moments when the Flute and clarinet are in contrast and other moments when they need to blend their sounds to fool the audience. © 2021
Dream Cycles
World Premier 2021 Dream Cycles
for Soprano, Baritone, Piano and Woodwind Quintet
Jamey Wright, soprano
Alan Bordeaux, baritone
Lea Baumert, flute
Hunter Collins, oboe
Thomas Kim, clarinet
Danielle York, horn
Erica Haas, bassoon
Patricia Bretas, piano
Jeremi Edwards, conductor
This song cycle is a collection of songs developed out of a story my grandmother told me one Sunday afternoon. She explained she was digging through some old things and found an English assignment my mom created while she was in high school. She was assigned to pick a theme and find poems that fit that theme. On top of finding poems, she needed to also write her own poems using the theme she had pick to include in the collection. Out of this collection I chose six poems to set, five by a number of different poets and one that my mom wrote. Her theme for this project was on the topic of Dreams, which is why my tittle of this cycle is Dream Cycle. As a collection, I envision, these songs depicting different dreams a protagonist is having during an evening. The use of both Soprano and Baritone is to convey an internal dialogue within the protagonist that occurs between the different movements, culminating in movement six. Movement 1 is depicting the pleases our protagonist is travelling while dreaming. Movement 2 is depicting the protagonist watching someone sleeping next to them, the protagonist is letting them know they will protect them. Movement 3 is depicting our protagonist dreaming about a broken heat, remembering losing someone they loved. Movement 4 is depicting our protagonist dreaming about a battle which they hope was a dream. Movement 5 is depicting our protagonist reflecting on their life and proclaiming their goals for the future. Movement 6 is depicting our protagonist dreaming about manifesting those ideas and goals into their life.
Impressions of the Crescent City Duet for Tuba and Percusion 2021
Impressions of the crescent city is a musical journey through the heart of the French Quarter in New Orleans Louisiana.
Tuba: Christian Noto
Percussion: Tim Marquess
Preformance durring the LSU Composer and Tuba Studio Collaborative Recital Spring 2021
Impressions of the crescent city is a musical journey through the heart of the French Quarter in New Orleans Louisiana. Often called the Crown Jewel of New Orleans, the French Quarter is one of New Orleans most historic neighborhoods. The focal point of the French Quarter is the Famous Jackson Square. My favorite part of visiting Jackson Square is to grab coffee and beignets from Café du Monde and enjoying breakfast while people watching in the Square. This six movement Duet allows the Tubist and the percussionist to explore six spotlight locations within the Square. The music within these movements expands on the sounds of Traditional Louisiana melodies and musical styles.
Welcome to Jackson Square
Battle of New Orleans 1815
Cathédrale Saint-Louis
The Magician
Café du monde
Mississippi River Boat
When voices spoke like rushing waters 2019
World Premier Nov 12th 2019,
Preformed by
Sarah Rees Soprano
Adriana Biaggi on Piano
Lynn Knight Text
“when voices spoke like rushing waters"
LSU Composition Studio and Lynne Knight a former fellow in poetry at Syracuse University, known for her cross-discipline collaboration and a robust teaching career, fostered a unique opportunity. We participated in a special collaboration with LSU composers and performers to create a highly unique recital premiering new original pieces inspired by Knights poems. Here is My new piece “when voices spoke like rushing waters” preformed by Sarah Rees soprano and Adriana Biaggi on piano. Together they performed the premiere of my first solo vocal piece. #composition #gradschoollife #phdincomposition #newmusic #collaborations #poetryismusic #vocalmusic
The Tank 2019
World Premier at the University of Louisiana at Lafayette
Experimental music Recital Spring 2019.
ULL school of music flute studio
Maddie Trcalek
Morgan Chaisson
Whitney Applewhite
Continuum! 2017
World Premier Fall 2017
Creative Conversations
University of Louisiana at Lafayette School of Music Saxophone Studio
John Fuller Alto Saxophonist
David Lee Alto Saxophonist
Inspired by Artist Lin Emery based in New Orleans known for her wind-powered kinetic sculptures inspired by nature
Nocturne C sharp minor 2016
Mcneese Woodwind Choir
Orchestrated by Jeremi Edwards
Flute Soloist - Jeremi Edwards
Flute - Stephanie Vidrine Alcantara
Oboe - Matthew Duplantis
Bb Clarinet - Tamylles Costa
French Horn - Alejandro Leal
Bass Clarinet - Jamie Beaulieu
Bassoon - Dallas Lauderdale
